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A Gogolian grotesque with elements of Italian neorealism underscored by Janáček's four-part harmonies. The Divadlo v Dlouhé theater consciously renounced folkloric color and psychological insight into the souls of individual characters and focused primarily on a comedic view of everyday Czech life, in which vanity and personal interests often play a key role. Director Jan Borna based his production on Miroslav Macháček's famous adaptation, which, however, underwent minor changes in the staging by the actors of the Divadlo v Dlouhé theater.
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From the same director
From the same director
From the same director
From the same director
From the same director
From the same director
From the same director
From the same director