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In a series of films made in the 1990s Friedl Kubelka introduced a new element: her participation in the film by interacting with the subject. These films are designed in such a way that the camera films a frontal view of the apparently motionless face, and a touch-a caress of the hair, a kiss, a hug-demonstrates the artist´s relationship with the subject being portrayed, who react in various ways, whether through a lightening of facial expression, a smile or intensified squinting. This matter of involvement represents the specific nature of this series of portrait films, ensuring Kubelka an outstanding position in the field of avant-garde film.
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From the same director
From the same director
From the same director
From the same director
From the same director
From the same director
From the same director
From the same director