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During the Gulf War, Serge Daney had written that the conversation, according to him "a typically Franco-Arab art", could no longer be established between him and his Arab friends. Saddened by this observation, we wanted to offer him a frame, both real and cinematographic, in which he could renew a dialogue that was interrupted at that moment. The choice of his interlocutor was immediately obvious: Elias Sanbar, Palestinian, historian, director of the magazine "Palestinian Studies", collector of images: an exile who archives the memory of his people: press photographs, album of family, postcards, etc. For Sanbar, the image is a proof of his identity. Daney spent most of his life watching movies, but has always refused to keep still images. On both sides, there was a very strong desire to confront these two attitudes in the face of the image and to make it, in a way, a parable of the North-South relations.
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From the same director
From the same director
From the same director
From the same director
From the same director
From the same director
From the same director
From the same director