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A very impressive film is Barbara Meter's 'Distance to Nearby.' The film is a dramatic reconstruction of memory. The memory of the alienation and solitude of a (half) Jewish child -the filmmaker- while in hiding, dramatized in restrained but touching imagery. For instance the looking through corridors and rooms, which should have given the feeling of protection. D. Ouwendijk, Trouw, 1982
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From the same director
From the same director
From the same director
From the same director
From the same director
From the same director
From the same director
From the same director