Finding a story worth your time.
"The artist looks at scenes of a woman (Pour Hosseini) and a man at the Iranian Maranjab Desert through the texture of a film strip on top of it, and through its sprocket holes. Dirt, flare, and red ink printed on the celluloid add to the images of the landscape a patina of optical illusions, even though the original moving images were, by definition, tricking the eye in first place." - Mónica Savirón, Museum of the Moving Image
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Finding your next story…
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From the same director
From the same director
From the same director
From the same director
From the same director
From the same director
From the same director
From the same director