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When Duras saw 'La mort du jeune aviateur anglais', she told Benoît Jacquot that the film was about him, not her. "She treated me like a thief. So I offered to make another film, where she could say whatever she wanted about her life as a writer. That’s how we did Écrire. I brought the same film crew. We went to her house at Neauphle-le-Château and we set up in the room she called 'the music room,' where there was a piano and you could listen to records. She settled in and for two days of non-stop filming, she talked."
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From the same director
From the same director
From the same director
From the same director
From the same director
From the same director
From the same director
From the same director