Finding a story worth your time.
Psycho (1960) by Alfred Hitchcock and Psycho (1998) by Gus Van Sant collide in a frame-by-frame editing that assaults the eyeballs and assassinates the normative consciousness of the viewer. The footage seems to penetrate us, as though it was a knife or a threatening phantasmagorical entity. The fast succession of single frames and extremely short audio files produce afterimages and aftersounds—entoptic and endaural phenomena—creating a film that does not happen on the screen, but in our brain cells
Stills, posters, and artwork in every language.
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Follow the worlds, the minds, the feeling.
From the same director
From the same director
From the same director
From the same director
From the same director
From the same director
From the same director
From the same director