同じ監督の作品
From Now on
한양빌라, 401호
A man walks into a foreign neighborhood to look for a house. Then, the drastic summarization of the story and time will confuse the audience at first, but it brings suspense and a deeply lingering impression to the story. There is more that is unseen than visible. This intentional void prompts various emotional interpretations. During that time, what sort of moments and stories did the man and the house share? Since the guessing is left to the audience, we are left to remember, not the man’s, but our own personal memories. Hanyang villa or whatever else, that’s what houses do – they are where our memories dwell.
あらすじの翻訳がないため英語で表示しています。
フレームの中の世界。
各言語の場面写真、ポスター、アートワーク。
映像の向こう側。
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