同じ監督の作品
Face of Our Fear
A richly conceived essay about the evolving image of disability. Dwoskin begins with the declaration that the historically distorted images of people with disabilities constitute a “negation of selfhood”. He then traces this concerted effort through two thousand years of Western culture, beginning with the Greek notion of the idealized body and its opposite, the fabulous races. Using contemporary films clips, literary quotations, performance, and pictorial records, Face Of Our Fear looks at the Court’s infatuation with “monsters” during the Middle Ages, the “charity cripples” of the Enlightenment, the freakshows of the nineteenth century, each a resort to oppressive stigmatization.
あらすじの翻訳がないため英語で表示しています。
フレームの中の世界。
各言語の場面写真、ポスター、アートワーク。
映像の向こう側。
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