Notes, Imprints (On Love): Part I

Notas, encantaciones: parte I

An autobiographical collection of instances that describe the action of living in a post-industrial landscape, the end of a love story and the politics of what is private and what is public. The camera, as a device for recording and recollection, goes beyond evoking the past to become a tool for the appearance and exorcism of spectres.

Inhaltsangabe auf Englisch; Übersetzung noch nicht verfügbar.