Le verre n'est jamais si bleu qu'à sa brisure

A film in blue, with a few red moments. It is an attempt to paint with the camera, to try to approach, through the associations/oppositions of objects, elements, colors, a certain tactility assumed by the visual. The Super-8 camera, often hand-held like a pencil or a brush, produces a sum of sketches that the montage has tried to articulate. (The rhythmic component of this one made me give up any use of sound). —Eric Lanz

تُعرض النبذة بالإنجليزية لعدم توفر ترجمة بعد.