Lost Note

Saul Levine began Lost Note as a love poem to his wife but before he finished the film everything had changed. This film is all that was left – 68/69 was a period of violent transition for many. The film was formally challenging, editing footage with in-camera superimpositions and cutting b&w with color.

تُعرض النبذة بالإنجليزية لعدم توفر ترجمة بعد.